Peter Timinsky:
The Flower Called Nowhere
01.22.26 - 02.28.26
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12.26 is pleased to present Dallas-based artist Peter Timinsky in his first solo exhibition at the gallery’s Dallas location.
Standing off the surface of the gallery’s walls like a veil draped over the face of a tall white façade loom Peter Timinsky’s sculptural paintings.
Timinsky’s paintings are bathed in soft, balanced, geometric palettes of color. Consuming the wilted folds of the canvas are dots of minute abstract details, accompanied by symbolic marks moving about the surface.
The diptych-like works represent a bird’s-eye view of the world. Checkerboard and striped patterns illustrate an agricultural landscape, as if looking out of an airplane window, admiring the rows, columns, and boxes of crop fields below.
Organic triangular shapes fly across the paintings, symbolizing figures moving across the picture plane, interacting with one another and with the grounds beneath them.
Inspired by the history of color field and geometric painting, Timinsky evolves painting beyond the two-dimensional, flat plane. Using non-traditional methods and procedures, the artist cuts and pins his canvases, creating forms that challenge the distinctions between painting and sculpture.
The Flower Called Nowhere reflects the artist’s current practice, which continues to evolve in both content and scale. Along with its evolution, Timinsky continues to redefine the boundaries of traditional painting practice.
Peter Timinsky (b. 1999, Dallas, TX) lives and works in Dallas, TX. Timinsky is a painter who has presented solo and duo exhibitions at Dallas College Brookhaven, Dallas, TX (2025) and the Goldmark Cultural Center, Dallas, TX (2023). He has shown in numerous group exhibitions at PRP (Permanent Research Project), Dallas, TX (2025); Oak Cliff Assembly, Dallas, TX (2022); and Blue House Too, Allen, TX (2020).
Standing off the surface of the gallery’s walls like a veil draped over the face of a tall white façade loom Peter Timinsky’s sculptural paintings.
Timinsky’s paintings are bathed in soft, balanced, geometric palettes of color. Consuming the wilted folds of the canvas are dots of minute abstract details, accompanied by symbolic marks moving about the surface.
The diptych-like works represent a bird’s-eye view of the world. Checkerboard and striped patterns illustrate an agricultural landscape, as if looking out of an airplane window, admiring the rows, columns, and boxes of crop fields below.
Organic triangular shapes fly across the paintings, symbolizing figures moving across the picture plane, interacting with one another and with the grounds beneath them.
Inspired by the history of color field and geometric painting, Timinsky evolves painting beyond the two-dimensional, flat plane. Using non-traditional methods and procedures, the artist cuts and pins his canvases, creating forms that challenge the distinctions between painting and sculpture.
The Flower Called Nowhere reflects the artist’s current practice, which continues to evolve in both content and scale. Along with its evolution, Timinsky continues to redefine the boundaries of traditional painting practice.
Peter Timinsky (b. 1999, Dallas, TX) lives and works in Dallas, TX. Timinsky is a painter who has presented solo and duo exhibitions at Dallas College Brookhaven, Dallas, TX (2025) and the Goldmark Cultural Center, Dallas, TX (2023). He has shown in numerous group exhibitions at PRP (Permanent Research Project), Dallas, TX (2025); Oak Cliff Assembly, Dallas, TX (2022); and Blue House Too, Allen, TX (2020).